Cut everything below 100 Hz to 120 Hz to eliminate microphone rumble and low-end muddiness.
Before boosting the frequencies that make the vocal sparkle, you must clean up the mud. Underground vocals are often recorded in home studios with less-than-ideal acoustics, making subtractive EQ crucial.
Cut everything below 100 Hz to 120 Hz to eliminate microphone rumble and low-end muddiness.
Before boosting the frequencies that make the vocal sparkle, you must clean up the mud. Underground vocals are often recorded in home studios with less-than-ideal acoustics, making subtractive EQ crucial.