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| Theme | Key Contributions | Relevance | |-------|-------------------|-----------| | | Bakhtin (1984) on the “carnivalesque”; Kristeva (1982) on the “abject”; Zillmann & Bryant (1985) on humor processing. | Provides a theoretical lens for analyzing how both artefacts foreground the body as a site of transgression and laughter. | | Meme Ecology & Platform Affordances | Shifman (2014); Milner (2016). | Explains diffusion patterns of “Drunk Cream” across TikTok’s algorithmic loop. | | Gender, Sexuality, and Comedy | Gilbert (2004) on “women in comedy”; McRobbie (2009) on post‑feminist media. | Contextualises The Crotch ’s subversive handling of gendered anatomy and power. | | Food Studies & Over‑Consumption | Pollan (2006); Johnston & Baumann (2010). | Frames “Drunk Cream” as a satire on dairy‑centric indulgence and the “food porn” aesthetic. | | Digital Affect & Virality | Massumi (2002); Döring (2020). | Illuminates affective immediacy that fuels rapid sharing. | Drunk Sex Orgy- Cream of The Crotch XXX -Split ...
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