The narrative follows (Leonardo Sbaraglia), a veteran professional boxer nearing the end of a decorated career. Although he has achieved international success, his family and management advocate for his retirement to preserve his health and legacy. This stable existence is challenged when he encounters Deborah (Eva De Dominici), a young and determined aspiring boxer who begins training at his gym.

: Ramón's growing obsession with Deborah rapidly alienates him from his wife, children, and longtime trainers.

Director Hernán Belón seemed intent on capturing raw, animalistic energy. For the actors, however, the reality of filming these scenes was less about instinct and more about professional technique and trust. Sbaraglia, a veteran of Argentine cinema, later described the process as a professional exercise that required preparation, communication, and a healthy dose of humor.

Director Hernán Belón deliberately uses the boxing ring as a metaphor for the toxic romance between Ramón and Débora. Every encounter outside of the ring mirrors a round in a fight. As their obsession deepens, the psychological and physical stakes rise, leading to an volatile climax where the characters can no longer distinguish between love and self-destruction.

Critics and viewers noted that despite the explicit nature of the scenes, de Dominici managed to convey the psychological state of her character, balancing the intense physical intimacy with a sense of "co-morbid entanglement" or emotional desperation. Critical Reception and Impact

For nearly a decade, Eva De Dominici’s romantic life was virtually synonymous with one name: Gonzalo Heredia.