Savage / Stevens model 94
94B, 94C, 94BT, 107B,107C, 107BT
12, 16. 20, 28, gauge & 410

The illustration shown below was scanned off a Savage factory parts list, using factory reference numbers, which are converted to factory part numbers.Â This is important as about all obsolete parts suppliers use ONLY factory or closely associated numbers where ever possible so everyone is on the same page.

Note, for some of the older firearms, many over 100 years old, the factories never used what we now know as assembly drawings, but just views of many of the component parts & possibly randomly placed
Â as seen below

The illustrated parts shown here, are from original factory parts list of about 1950 & use factory party numbers

The Raspberry Reich -2004- ^hot^

Set in a stylized, sexually charged Berlin, "The Raspberry Reich" centers on a bumbling neo-terrorist cell led by the charismatic and iron-fisted dominatrix, Gudrun (Susanne Sachsse). Naming themselves the "Sixth Generation of the Baader-Meinhof Gang," the group, which consists of Gudrun and several young men, idolizes the radical leftist movements of the 1970s. Their plan: to kidnap Patrick (Andreas Rupprecht), the adult son of a wealthy industrialist "capitalist pig".

Like much of LaBruce's work, it is known for its explicit content, including scenes that subvert religious and political symbols to challenge societal norms. ðŸŒŸ Cultural Legacy Cult Status: Since its debut at the The Raspberry Reich -2004-

Is this article intended for an or a casual pop-culture blog ? Share public link Set in a stylized, sexually charged Berlin, "The

As their plan implodes with satirical precision, the terrorists' distractionsâ€”both sexual and ideologicalâ€”are laid bare. The film climaxes (in every sense) with a scene where the group forces Patrick to star in a pornographic film as a "revolutionary" tactic, a nod to the Symbionese Liberation Army's manipulation of Patty Hearst. Throughout the chaos, LaBruce juxtaposes scenes of graphic intercourse with superimposed quotes from Tony Blair and George W. Bush, creating a jarring, didactic commentary on the state of the world. Like much of LaBruce's work, it is known

LaBruce intended the film to give a voice to anti-capitalist rhetoric while simultaneously skewering the self-righteousness of the modern left. ðŸŽ¬ Production & Style Visual Aesthetics:

Note that extractors for guns made prior to 1950 were .435 wide at the top, while the later ones were .308.