Elizabeth Olsen has spoken publicly about the invasiveness of deepfakes, though with the weary pragmatism of a public figure who knows legal and technical solutions lag far behind the problem. Her predicament is unique. Unlike her older sisters, Mary-Kate and Ashley, who retreated from the spotlight, Elizabeth chose acting as a craft, studying at NYU and the Moscow Art Theatre. She has sought out indie dramas ( Martha Marcy May Marlene ) and nuanced roles to avoid being trapped by franchise stardom. Yet the deepfake crisis targets her precisely because of that franchise stardom. The same Wanda Maximoff who manipulates reality in Doctor Strange in the Multiverse of Madness has had her own reality manipulated by anonymous code. The irony is bitter: Olsen plays a character whose power is to reshape existence, yet she remains powerless to prevent fans from reshaping hers.

MondoMonger seems to hint at a platform or service that facilitates the creation, distribution, or management of content within Fan-Topia. While specific details about MondoMonger might be scarce, one could imagine it as a tool or platform that helps fans create, share, and engage with fan-made content. This could include art, fiction, or even merchandise. Platforms like these play a crucial role in the digital fan culture, enabling fans to connect and express their fandom in more organized and accessible ways.

We cannot rely on Elizabeth Olsen to sue every anonymous account. We cannot rely on Instagram to scan every video. We must change the culture of .

: Manipulating someone's likeness to make them appear in compromising or explicit scenarios causes severe personal and professional harm.

We are entering a silent war between studio engineers and basement-dwelling mongers.