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The literary influence proved immense. Over the years, major literary figures—Uroob, Vaikom Muhammad Basheer, Ponkunnam Varkey, P. Kesavadev, Thoppil Bhasi, and M.T. Vasudevan Nair, as well as contemporary writers such as P.F. Mathews, S. Hareesh, and Santhosh Echikkanam—have lent extraordinary depth to Malayalam screenwriting. When legendary poet P. Bhaskaran and Ramu Kariat joined hands to make Neelakuyil (The Blue Koel) in 1954, Uroob penned the screenplay, and the film took casteism by its horns. This progressive outlook was coded into Malayalam cinema from its earliest days, thanks in no small part to the involvement of writers and artists affiliated with the Progressive Writing Group and the Kerala People's Arts Club (KPAC)—bodies closely linked to the Communist Party.

The origins of Malayalam cinema in the 1930s were rooted in the theatrical traditions of Kerala Kalamandalam and mythological narratives. However, the turning point arrived in the 1960s and 70s with the influence of the "Parallel Cinema" movement. Filmmakers like Adoor Gopalakrishnan and G. Aravindan moved away from studio sets to real locations, utilizing cinema as a tool to dissect the fading feudal order. The literary influence proved immense