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Leo Chen never meant to start a magazine. He was a third-year design student, broke, bored, and living on instant ramen. One night, procrastinating a typography project, he scanned an old packet of noodles — the crinkly cellophane, the fake appetizing photo, the badly translated instructions: “Put noodle into hot water full. Wait three minute. Eat tasty.” One night, procrastinating a typography project, he scanned
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