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For a long time, sex in cinema belonged to the young. Mature desire was treated as either a joke or a pathology. That has changed. In Good Luck to You, Leo Grande (2022), , at 63, gave a searingly vulnerable performance as a repressed widow hiring a sex worker. The film is a masterclass in body positivity and emotional truth. Similarly, Helen Mirren has spent her 60s and 70s playing characters who are unapologetically sensual. The audience is finally being invited to see older women not as objects of pity, but as subjects of their own desire.

For decades, the landscape of cinema and television was governed by a brutal, unspoken arithmetic. A male actor’s value appreciated with age, deepening like a fine whiskey. A female actor’s value, conversely, was seen as a depreciating asset. Once she crossed the invisible threshold of 40—or, in some genres, 35—the leading roles dried up, replaced by offers to play the “wise grandmother,” the “bitter ex-wife,” or the “eccentric neighbor.” The industry suffered from a myopia that mistook youth for relevance and age for obsolescence. For a long time, sex in cinema belonged to the young

, research from the Geena Davis Institute on Gender in Media and other bodies highlights ongoing disparities: In Good Luck to You, Leo Grande (2022),