A charming, soft romantic duet featuring the melodic pairing of M.G. Sreekumar and Sujatha Mohan. It provides a sweet interlude amidst the high-stakes drama of the movie.
The album features a mix of high-energy tracks and melodic compositions: Song Title Music Director Aaramam Pookkunnu K. J. Yesudas M. G. Sreekumar Chandramani Kammalaninju M. G. Sreekumar Sujatha Mohan M. G. Sreekumar Himagiri Nirakal M. G. Sreekumar Perumbavoor G. Ravindranath Kombedu Kuzhaledu M. G. Sreekumar M. G. Sreekumar Paalkkinnam Thoovunnu M. G. Sreekumar Sujatha Mohan M. G. Sreekumar Paalum Kudameduthu M. G. Sreekumar , Saraswathy Sankar M. G. Sreekumar Pottuthotta Kiliye M. G. Sreekumar Sujatha Mohan M. G. Sreekumar Musical Highlights Himagiri Nirakal : Composed in the raga , this track is noted for its classical undertones. Chandramani Kammalaninju : A popular duet set in the raga Kombedu Kuzhaledu : A high-energy folk-style track featuring M. G. Sreekumar's
Released during a period when Mohanlal and Shaji Kailas were synonymous with "mass" action cinema, the music was vital in building the film's massive initial pull. Although some reviewers felt the movie relied on outdated themes, the soundtrack—particularly the more melodic and classical compositions—continues to be featured in Malayalam music jukeboxes and nostalgic retrospectives.
Folk-Pop / PlayfulThis track introduces a rustic, folk-inspired rhythm to the album. It is a playful duet between M. G. Sreekumar and Sujatha Mohan. The song uses colloquial lyricism and a catchy, repetitive beat designed to appeal to the masses, serving as a bright commercial highlight in the film. 5. "Panchakshari Mandram" Singer: M. G. Sreekumar / Chorus
: On screen, Mohanlal performs a fierce, Tandav-inspired routine, matching his larger-than-life screen presence with the song's thunderous orchestrations. 2. Paalum Kudameduthu
: Often considered the standout track of the album, this song features a classical touch and is composed in the Saramathi raga . It is one of the few instances where M. G. Sreekumar sang for a composition by Perumbavoor G. Raveendranath in a film he otherwise scored.
A charming, soft romantic duet featuring the melodic pairing of M.G. Sreekumar and Sujatha Mohan. It provides a sweet interlude amidst the high-stakes drama of the movie.
The album features a mix of high-energy tracks and melodic compositions: Song Title Music Director Aaramam Pookkunnu K. J. Yesudas M. G. Sreekumar Chandramani Kammalaninju M. G. Sreekumar Sujatha Mohan M. G. Sreekumar Himagiri Nirakal M. G. Sreekumar Perumbavoor G. Ravindranath Kombedu Kuzhaledu M. G. Sreekumar M. G. Sreekumar Paalkkinnam Thoovunnu M. G. Sreekumar Sujatha Mohan M. G. Sreekumar Paalum Kudameduthu M. G. Sreekumar , Saraswathy Sankar M. G. Sreekumar Pottuthotta Kiliye M. G. Sreekumar Sujatha Mohan M. G. Sreekumar Musical Highlights Himagiri Nirakal : Composed in the raga , this track is noted for its classical undertones. Chandramani Kammalaninju : A popular duet set in the raga Kombedu Kuzhaledu : A high-energy folk-style track featuring M. G. Sreekumar's
Released during a period when Mohanlal and Shaji Kailas were synonymous with "mass" action cinema, the music was vital in building the film's massive initial pull. Although some reviewers felt the movie relied on outdated themes, the soundtrack—particularly the more melodic and classical compositions—continues to be featured in Malayalam music jukeboxes and nostalgic retrospectives.
Folk-Pop / PlayfulThis track introduces a rustic, folk-inspired rhythm to the album. It is a playful duet between M. G. Sreekumar and Sujatha Mohan. The song uses colloquial lyricism and a catchy, repetitive beat designed to appeal to the masses, serving as a bright commercial highlight in the film. 5. "Panchakshari Mandram" Singer: M. G. Sreekumar / Chorus
: On screen, Mohanlal performs a fierce, Tandav-inspired routine, matching his larger-than-life screen presence with the song's thunderous orchestrations. 2. Paalum Kudameduthu
: Often considered the standout track of the album, this song features a classical touch and is composed in the Saramathi raga . It is one of the few instances where M. G. Sreekumar sang for a composition by Perumbavoor G. Raveendranath in a film he otherwise scored.
