To prepare her for a life of revenge, Karaivan raises Maria as a boy, forcing her to abandon her femininity to become a "warrior". He trains her in combat and survival, essentially stripping away her individual identity to forge a weapon for his personal vendetta. This transformation is central to the film’s exploration of gender norms—Karaivan believes there is "no place for a woman" in such a cruel world, yet his actions only perpetuate the cycle of suffering. The Goat Horn (1994) - IMDb
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Karaivan’s response to this trauma is to "engineer" a new human being. He retreats to the isolation of the mountains, raising Maria not as a daughter, but as a weapon. He disguises her as a boy and trains her in the masculine arts of warfare—archery, dagger fighting, and the cold-blooded discipline required for assassination. In this environment, the "goat horn" becomes their calling card, left at the scene of each murder as a symbolic brand of their primitive, ritualized justice. The Conflict of Nature vs. Nurture To prepare her for a life of revenge,
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: While in the mountains, she meets a young Muslim shepherd named Halil (played by Petar Popyordanov).